
I do know these devices have NOTHING to do with our lifestyle, I found these
devices interesting and thought I would include them here.
Torture & Death Penalty Instruments
From the Middle Ages to the Industrial Era
First opened to the
public in Florence, Italy, in April 1983, this undertaking, internationally
famous exhibition, closed in Barcelona, Spain, in 1986. It constituted a
formidable appeal against the criminality of governments and power structures of
all times and places –an appeal that was appreciated by nearly all the
reviewers and commentators in the press, on television and over the wireless in
Europe and in the United States. It may soon be revived. It should not be
confused with the many tawdry commercial imitations that have mushroomed in its
wake.
For the present, the historical range of its contents ended in about
1880-1900 because the planned updating to include torture in today's world
–flourishing widely, as everyone who wants to know knows– imposes the
observation of scrupulous objectivity and rigorous precision in every aspect,
especially the political one: requirements that can be satisfied only by long
and costly preparations, partly in collaboration with Amnesty International and
similar organizations. This work is under way but the goal is still distant.
About eighty five instruments were shown, counting major and minor ones:
means of capital punishment, public humiliation and torture. About three fourths
of these were originals dating back to the sixteenth, and seventeenth and
eighteenth centuries, while the rest were accurate reconstructions made in the
last hundred and fifty years or so. This collection is unique in the world
today. Judging from what can be exhumed out of press archives, nothing like it
had been offered to the public since 1908-09, when an exhibition entitled Die
Heilige Inquisition: Wesen, Method und Wirkung – The Holy Inquisition: Its
Essence, Methods and Effects – was held in Berlin. This drew heavily on two
celebrated nineteenth century collection: the Desjardins of Marseilles and the
Friedlaender-Manin of Venice, both long since dispersed but of which about
twenty pieces, having wandered through the world's antique markets, were
included here.
All the objects belong to a consortium of eighteen European and three
American owners –not sadists given to murky practices but quite ordinary
people who happened to have come into possession, some by inheritance, some by
casual purchase, of devices which, if they repel, are nonetheless important
historical documents that must be preserved or, better still, be put to socially
positive use. Hence the proceeds of the exhibition were set aside, after the
deduction of operating costs, not only for updating to modern torture, but for
the creation of a permanent anti-torture museum in Europe.
Information and photographs in this virtual exhibition proceed from the book Torture
instruments; a bilingual guide to the exhibition Torture Instruments form the
Middle Ages to the Industrial Era presented in various cities in the world in
1983-2000.
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